I have been on my first ever research trip for a work of fiction. Officially it was called a holiday, otherwise my Other Half and travel companion might have objected, but our travel route was, to large extent, determined by my story and what I needed to know about the eastern part of Sabah, Malaysian Borneo.
Here’s the thing. My female main character works on the Andaman Coast of Thailand. I know the area fairly well. Her love interest, Nick, is a wildlife photographer and he’s supposed to be somewhere else. The long distance and time apart is a strain in their relationship. I needed him out of the way for long periods of time, but perhaps not on the other side of the globe. So I checked the map, considered where I could put him. Which places did I know well enough to be able to add convincing sensory details to my story? Continue reading